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Rigorous Study of Husserl's Epistemology

Thriller! Haunting! POSSIBLE! Incredibly Descritptive!

A unique sherpa's view on Everest expedition

a must have!

Marshall McLuhan is the co-author, sorta"The text owes much to Marshall McLuhan who, in fact, co-authored portions of an earlier version." This quote comes from the opening page - before the Foreword. It is well documented that McLuhan had trouble with writing and co-authors. Carpenter was an early collaborator from the Dew Line on and I think was able to interpret McLuhan the best.
Or was it the other way around? I hate to say this, but this may be the easiest read of McLuhan's ideas. It becomes hard to distinguish Carpenter's ideas from McLuhan's. It truly was a school of thought at University of Toronto. This book should get as much attention as any McLuhan text. (Note: it is hard to top the double dose of the "Medium is the Massage" in book and audio.)
Margaret Mead is quoted on the back cover saying "Astute staccato comment on present and needed changes in sensory modes, against a background of fantasied primitive life, annotated with extraordinary photographs." Ditto about the photos.
The "Visual Pun" is worth every cent you'll pay for this book that cost $3.95 in 1970. If you've got any McLuhan books, consider adding this to your collection - while you can.


Musical scores, artworks, and the text of primary sources

Preferred "Torrents" Translation

Should be required reading for every educator & policy makerWhile I would recommend this book to anyone and everyone, I deeply believe that Tranformative Learning should be made required reading for every University President, Minister of Education, and Professor on Earth.


Silberman on Spenser on Love

An intriguing and absorbing novelLeslie Blanchard
Editor A Writer's Choice Literary Journal ISSN: 1521-2319 http://members.spree.com/writer/ & The Bear's Den- Spoken Word Poetry http://members.tripod.com/bearpoet icq# 33958401
Through his careful focus on the specifics of the text, Lampert is ultimately able to conclude that Husserl's project of phenomenology is of a piece with the projects of dialectics and deconstruction, inasmuch as Husserl's is a philosophy of self-organizing meanings that are not governed by an independent telos. Experiences tend towards synthesis, and in so doing project beside, ahead of, and behind themselves a coherent context for themselves. In particular, Lampert focuses on "backward reference" as a crucial form of synthesis, according to which meanings present themselves as having been awaited by the past, that is, they project behind themselves a past that was anticipating them.
Lampert's book should be required reading for all serious students of Husserl. It is an education in itself, as well as being an essential guide to the rigorous demands of Husserlian phenomenology.